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“The Barbarians Are at the Gates”: Curtis Yarvin Has Big Art Plans for the US Pavilion at the 2026 Venice Biennale
It’s not a retrospective of Jon McNaughton’s portraits of bloody, triumphant, muscly Trump. It’s somehow crazier.
It’s not a retrospective of Jon McNaughton’s portraits of bloody, triumphant, muscly Trump. It’s somehow crazier.
