The Unique ‘Sauce’ of the Fujifilm GFX Eterna is Color, Tonality, and Sensor Flexibility
Late last year when Fujifilm announced that it was putting the sensor found in its GFX 100 II into a cinema camera, I was not clear on the value proposition. While huge, the slow sensor didn't feel suited to movie-making. After spending some time with the camera yesterday, however, I'm starting to see the vision. [Read More]
Late last year when Fujifilm announced that it was putting the sensor found in its GFX 100 II into a cinema camera, I was not clear on the value proposition. While huge, the slow sensor didn't feel suited to movie-making. After spending some time with the camera yesterday, however, I'm starting to see the vision.
